Showing posts with label Marvel Comics. Show all posts
Showing posts with label Marvel Comics. Show all posts

Tuesday, January 22, 2013

Cinema Assembled or: Why I Saw The Avengers Four Times In One Week - Written By Zach Frances


Four. That's the amount of times I saw The Avengers in a single week and I wasn't alone. 2012's The Avengers redefined the summer blockbuster. It was a mega-hit. The Avengers was a meteoric phenomenon. But why was it so successful? Better yet, why are superhero movies in such high demand? Or the question I really want to explore: Why did I see The Avengers four times in one week? I have never done that that with a movie before. What was it about The Avengers that got so many people into the theater and kept them coming back?

I know perfectly well why I saw it two out the four times that I did: I am a world class comic book geek. Captain America, in particular, is a character I've been following since childhood, and although Marvel Comics handles him in some extremely dumbass ways, I would follow Cap anywhere. But why? Well, superhero comics are modern mythology. Where there was once Zeus, Hercules, and Dionysus, there is now Superman, Batman, and The Avengers. The parallels between modern day superheroes and ancient myth are numerous.

One of the most interesting parallels was made popular by comic book historian Michael Uslan:

"The room looked like the Justice League of America secret sanctum, and I’ll never forget the dean looking at me from the end of the table and saying, “So you’re the fellow who wants to teach a course on funny books at my university?” I launched into my thesis and he let me talk for two or three minutes before cutting me off. “Come on, Michael! Comic books as mythology and folklore? Art? And literature? Give me a break! Comic books are cheap entertainment for children – nothing more, nothing less." So I said to him “Can I ask you two questions?” He said, “Ask me anything you’d like.” I said, “Are you familiar with the story of Moses? Can you summarize very briefly the story of Moses?” He looked at me like I was crazy and replied, “Well, I don’t know what game you’re playing here, but I’ll play it with you. The children of Israel were being persecuted, their first born sons were being slain. A Hebrew couple put their infant son in a wicker basket and sent him down the River Nile where he was discovered by an Egyptian family and raised as their own son. When he grew up and learned of his heritage, he became a hero to his people because …” And I said “Stop. That’s great. You said before that you read Superman comics?” “Yeah,” he said, “I always read them as a kid.” I asked, “Do you know the origin of Superman?” and he replied, “The planet Krypton was about to blow up and a scientist and his wife placed their infant son in a little rocket ship and sent him to Earth where he was discovered by the Kents who raised him as their own son. And then when he grew up …” He stopped, stared at me for an eternity, and said, “Mr Uslan, your course is accredited.” I became the first college professor of comic books!"

It is my belief that people need mythology and that people need the world to be mythologized in order to make sense of it. Each and every time I dive into a comic book I am transported to 'a stronger, loving world'... Did you catch that? Tell me what I'm referencing in the comments section and I'll do my best to figure out a prize to give you. But just like how comic books transport me to an incredible and fantastic universe, superhero movies do the same thing.

The Avengers may just be the best entertainment this side of the millennium. But still, why was The Avengers such a colossal success? Of course there is the obvious: Taking a group of superheroes, popular in their own right and fresh off their own titular films, and cramming them into one movie is bound to draw some spectators, but that doesn't explain why those films were so successful in the first place. Let's look at things from a social perspective: The world is in a tough spot and has been for a while. Americans, in particular, are feeling more depressed by the day as they continue to be driven to bedlam by a broken and abhorrent political system. The world is bigger now than ever before. Now more than ever humanity's plight appears all the more frivolous. Now I'm not saying that the world needs a superhero, although I do in my heart of hearts believe that to be the case, I would never disrespect anyone's hardship by implying that what they need is a super-man in a super-suit with super-righteous super-goals inspiring them to pursue super-deeds. What the world needs far more than a superhero is a break. The Avengers gave us a two and a half hour block where we were free to forget about our problems. What I'm saying is that everyone needs to escape from something, I believe that to be part of the human condition. For me The Avengers is far more than easy escapism, the subject material being a great interest of mine, but I recognize that The Avengers supplied me with exactly that: Escapism. And there is absolutely nothing wrong with escapist cinema, in fact I believe that is the way movies ought to be.

As far as the film itself is concerned there is very little that is technically innovative or revolutionary about it and that's perfectly acceptable. It wouldn't have been the kind of experience that is was had it pretended to me anything other than pure fun. A few rotten apples use this to justify why The Avengers failed as a truly great movie, and some even go so far as to say that The Avengers is actually a harmful film that dumbs-down an already disassociated audience with watered-down heroics. I disagree on both fronts and would even add that these naysayers are not only a deluded and miserable lot but that they also fail to understand the most important and consistent tenet of the cinema: Entertainment. Film started off with peepshow pioneers who gave the poor folk of the world ten seconds of joy, and that same basic practice has since expanded and evolved into The Avengers: Cinema Fulfilled. No, The Avengers does not fail in any conceivable way, in fact it is monumentally, monstrously successful in every way it tries to be. The Avengers is much more than a movie, its an experience. The Avengers gave us epic battles, a considerable amount of character development for a film of its type, amazing special effects, a rag-tag team of superhero underdogs, Sam Jackson with an eye patch, and a hot chick with seemingly deadly strands of hair. Those who say they hate the film, I am also convinced, must hate all of these things.

So, no, the movie is not revolutionary in the high-brow sense of the word, but let's be realistic with the current state of the so-called Arthouse: It hasn't actually been revolutionary since the 1970s. The Avengers actually does break new ground in the superhero genre by proving that an interconnected comic book universe can be translated into a cinematic one in a coherent and fluid fashion. What Marvel has done here is unprecedented and of the wholly remarkable variety. Not since Star Wars has a series of films been so beloved and so closely followed by such a loyal and possessive fleet of fans. This is not a film of underlying themes, but it can still be argued that several heady concepts are communicated within the film, but more than anything else it is a film with an unprecedented ability to entertain its viewer. The Avengers has reestablished the summer blockbuster as more than a mere spectacle, but as an important cinematic world event.

Captain America, Thor, The Hulk, and Iron Man are a few of Marvel's best loved characters, several of them are longstanding flagship titles of the comic book company. They are all given the treatment they deserve here so as to make sure that neither the hero nor his fans are treated as second class. It is the same delicate treatment the heroes had received previously in their own films independent of The Avengers. Captain America: The First Avenger remains my favorite of the pre-Avenger films. I found Captain America: The First Avenger to be one of the most warm-hearted and genuinely pleasant movies I had seen in a very long time. I stated earlier how much Cap means to me as a comic book character and I was so glad to see the film communicate some of the reasons why I love him so much. The First Avenger was a gift I was proud to call my own. I found it to be the definition of pure and innocent cinema. It reminded me of the Indiana Jones series, and other films of that nature, just as the comics do. The First Avenger has an unprecedented rewatchability factor. It is fairly faithful and spiritually intact. It is a glorious and heart warming film. I found this movie version of Cap to be almost just as inspiring as his comic book origins, and although it is a playful film, its not afraid to get intensely intimate and shamelessly patriotic. Yeah. The First Avenger actually makes me feel patriotic, I think that may be one of the reasons I love the Cap so much in the first place. The film romanticizes many things that don't seem to exist anymore, patriotism is one of those things, so's honor, sacrifice, bravery, and devotion. Also I must add that I found Hugo Weaving's turn as The Red Skull, my absolute favorite comic book villain of all time, to be an inspired one. I thought that he gave the best performance of the series. But everything about The First Avenger is pitch-perfect and refreshing, most of all it brings a smile to my face and makes me feel good, and that's something only the best movies can do.

Kenneth Branagh was not an obvious choice when it came to hiring a director who was capable of bringing Marvel's Mighty Thor to life but he sure turned in a wonderful effort. Thor was a very good film and must have been much more difficult to pull off compared to the rest of The Avengers team who were either completely grounded in reality or were at least acquainted with it. Thor was absolute fantasy and Thor was an absolute triumph.

The Incredible Hulk was the weakest link of the series. Edward Norton proved to have been a misguided choice for the tortured Bruce Banner and the rest of the cast seemed totally uninterested in what they were doing. Still. One runt does little to spoil the litter.

2008's Iron Man was the film that allowed all of this to take place. Being the flagship title of Marvel's cinematic universe an entire generation sought refuge in the company of Tony Stark. Iron Man caught on with an audience in a way that only Clark Kent, Bruce Wayne, and Peter Parker had been able to do previously. No comic book character has benefited more from being adapted for film than Iron Man, who had never been as huge a comic book character when compared to the monster success he has become since he has been on film. Never being a massively popular publication to begin with, the character has since received the star treatment from Marvel and his books are quickly becoming better and better. I believe that Actor Robert Downey Jr. and director Jon Favreau are solely responsible for Iron Man's new-found popularity. It is my belief that people actually like Robert Downey Jr. more than they really like Iron Man, but that's debatable. The first Iron Man movie was great, with Jeff Bridges giving a dastardly delicious performance as the villainous Iron Monger, while Iron Man 2 suffered by 'pumping up the volume' and felt much more like a lead-in to The Avengers than a proper continuation of Tony's story. Also, I must include that Scarlett Johansson was god-fucking-awful in Iron Man 2. How she was even tolerable in The Avengers is something I attribute to director Joss Whedon's many talents. I mean, I know she looked good and I know that's what she was there for, but she continues to have the emotional depth and comic book believability of a dead horse.

These films seem to have done the impossible: Tap directly into what makes movie-goers happy and concoct a tried and true formula for it. Yes, these films are formulaic but rarely do they really feel that way. And what's the big deal if The Avengers does follow a formula if its a structure that works? Its not meant to challenge its audience, its out to involve them in the drama. Think about it, its easy to stuff your film with lofty idealism and conceptual labyrinths, but its much harder a task to make your film soulful. And that's something that all of The Avengers films have in common: Heart and Soul. The film is also likable, faithful, and has been unbelievably capable in providing true joy to so many people, young and old, and dare I say inspire them to be that much happier in their own lives. The Avengers equipped its viewer with the necessary tools needed to be wowed. And wow the world it did.

Just as a side-note: Three cheers for Tom Hiddleston who really gave The Avengers everything he had as the villainous Loki. He was not only consistently and believably threatening and wicked, he was charismatic enough to carry the entire conflict of the film on his shoulders. If The Avengers was not supposed to be a film of great performances Tom Hiddleston obviously didn't get the memo. He was extremely good here and I applaud the work he did by making Loki just as iconic as the superhero team that had been assembled to eliminate him. Bravo!

The Avengers is now one of the all-time essentials and it is a film that is very deserving of that title. It was a monster hit because it was given to a world in a social climate that desperately needed something fantastic to happen to them. It was a film that was tailor-made for every single person who paid to see it. Those who refuse it must refuse a lot of spectacular things in their life because the sole goal of The Avengers was to entertain YOU and only YOU. Marvel and Co. personally invited you to take a rest in their world, and to those that took advantage of Marvel's hospitality were handsomely rewarded and fiercely entertained. I wish to thank Marvel for putting so much faith in their books, so much faith in the fans, and so much care in putting out a product of such high quality. Marvel Studios have proved that not only is it great time to be a comic book fan but its a great time to be a movie-goer. I wish more companies were like Marvel for as a fan I have never been treated so kindly. Marvel is a company that is very rare in this world: They care about their fan-base and go out of their way to cater to them every chance they can get. The Avengers is a great movie and I just can't wait for round two!

Until then...

-Z. Frances

Thursday, January 17, 2013

Streeter Walker's Five Favorite Superhero Movies!

Number 5: BATMAN (1989)

This movie might be amazing to me because it is the first superhero movie that i remember watching, or maybe it's amazing to me because it is fucking awesome. What makes it awesome? Many things, first off Michael Keaton (the Multiplicity guy? fuck yes the Multiplicity guy, and how about Dream Team, and mother fucking Beetlejuice!!!!!!!!!!!) Keaton is an amazing BATMAN....ok a balding, almost 40, Bruce Wayne may not compare to Christian Bale or Val Kilmer, BUT I'M NOT TALKING ABOUT BRUCE WAYNE!!!! I'M TALKING ABOUT THE BAT!!! Now aside from an amazing performance by Michael Keaton, or Mikeaton as i call him in social settings. Let's take a look at The Joker himself, Jack "the sack" Nicholson!!! Some say "Heath Ledger stole the show when he did Joker" well, he did a good job, but the BATMAN Joker and the Dark Knight Joker, are two completely different characters and no one could have done that cartoony, crazy, silly, maniacle, twisted, crazy fuck like Nicholson. This is my favorite Tim Burton movie, before he got addicted to clay-mation and Johnny Depp's penis. Also Kim Basinger was the tits as Vicki Vale. And who can't forget Billy D as Harvey Dent?


Number 4: The Phantom (1996) The Phantom is a great movie because it is full of that campy awesomeness that has all but disapeared from movies based on comics. Billy Zane is a great Phantom and an amazing Kit Walker. Now we got an awesome Protagonist and a great story line, what more do we need to have an awesome superhero movie? A sexy love interest and a great villain that you love to hate. Love interest......KRISTY FUCKING SWANSON, Buffy the Vampire Slayer herself BOOOOM!!! ENOUGH SAID!!! Now we need a bad guy, Holy shit let's have the sly as fuck Treat Williams be Xander Drax and have him steal up the skulls of Touganda and encompass him with a big group of badasses for Billy Zane to fight. And let's not forget Catherine Zeta Jones as Sala the sexy bad girl who works for Drax....Also Ajax from Warriors, James Remar is in it playing a bad guy named Quill, One scene he pushes one of his goons out of a moving vehicle just to get a better shot at the unkillable Phantom!!!


Number 3: Superman II (1980) Christopher Reeve is an amazing Superman,the best, BUT I DON'T LIKE SUPERMAN, HE'S A BITCH!!! AND CLARK KENT IS A BITCH TOO!!! AND I'M PRETTY SURE THEY ARE THE SAME PERSON. OH WAIT, NVM, CLARK KENT WEARS GLASSES. But the story line of this movie is great and the Villains are Superb, putting this at the middle of my list. Superman chooses his love of Lois Lane (Margot Kidder) over his ability to help the human race from the likes of Lex Luthor (Gene Hackman). So he gives up his powers, BUT OH FUCK, HE ACCIDENTALLY RELEASES 3 SCARY KRYPTONIAN MOTHER FUCKERS FROM THE PHANTOM ZONE, WITH THAT NUCLEAR BOMB HE THREW INTO SPACE IN THE FIRST ONE, WHO COME TO EFF SOME ESS UP ON EARTH!!!!! Lex Luthor finds out about this and joins forces with them. Now shit will hit the damn fan. Gene Hackman is evil as shit in this movie. And the Kryptonians, Lead by General Zod (Terrance Stamp, who i always confuse with Malcolm McDowell) are the perfect team of Villains, The fearless leader who will stop at nothing to rule, the tough brut Non, and the sexy femme fatale Ursa. SO THIS MOVIE IS GREAT BECAUSE OF THE VILLAINS. i honestly could do without Superman, and that one scene where he rips the S off his chest and throws it at Non. i don't even know what the fuck that was about:

Number 2: The Toxic Avenger (1984) Troma broke the mold with this bubbley green skinned, mop carrying, eye popping, tutu wearing, death machine. Great story, a lame nerd gets teased by assholes until he runs away, only to fall out of a window into a vat of toxic waste. Then Melvin the Mop Boy tuns into a hideously disfigured superhero.....FUCK YES I'M WATCHING THIS. Now some people may look down on my mother for allowing me to watch this time and time again from the time i was like 5, BUT FUCK YOU!!!! MILDRED WALKER IS A FUCKING ANGEL AND AN AMAZING MOTHER!!!!!!. This movie is a great super hero movie for several reasons: 1, Toxie is relentless, none of that tying people up shit, if you are evil you will get your guts ripped out, or your head smashed by weights, it doesn't matter how you get killed but you will end up with a mop in your fucking face. 2, The villains are horrible, selling drugs, stealing, bullying kids until they jump out of windows into vats of toxic waste, beating old women to death, killing dogs, assraping blind chicks, and even driving around smashing kids heads with the back tire of your car. and 3, TITTAYS!!!!! THIS MOVIE IS FULL OF BOOBS, EIGHTIES BOOBS WITH TAN LINES!!!!!!.



Number 1: Xmen Origins: Wolverine (2009) Now people who read this and know me, will know that the main reason Wolverine is number 1 is because i fucking love Wolverine. They may say "oh that Street Walker, he thinks Wolverine is the best superhero of all time, he thinks Xmen are amazing, he loves Wolverine" WELL GUESS WHAT MOTHERFUCKERS, THEY WOULD BE CORRECT" Let me start by pointing out this movie's main flaw: Victor Creed (Sabretooth) is NOT NOT NOT Wolverine's Brother. With that being said Liev Schrieber is outstanding as Sabretooth. The perfect amount of crazy, hatred, jealousy, and badassary. Now Hugh Jackman is the perfect Wolverine, sure he is kind of skinny for Wolverine but good god he's awesome. Ryan Reynolds was good as Deadpool, before they were retards and took his mouth away. Lynn Collins was a horrible Silverfox, but maybe that's because they got the character completely wrong. But with the things they fucked up, they did one more thing that was awesome and that i've been waiting for since the first Xmen movie, they put Gambit on screen. And the guy who played him, Taylor Kitsch, Did a pretty good job. Sure he should have taken some voice lessons first but aside from that his attitude was perfect.

Thanks For Reading,
Streeter Walker